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| Jessica Thebus (Director) is delighted to be back at Northlight. Jessica is an Associate Artist with Steppenwolf and an Artistic Associate at About Face Theatre and The Corn Exchange in Dublin, Ireland. Recent projects include The Clean House at The Goodman (After Dark AwardBest Director), Lady Madeline at Steppenwolf, Aren't We All with Remy Bumppo, Intimate Apparel at Steppenwolf, About Face Theatre’s Pulp (Jeff nominationBest Director, After Dark AwardBest Production) and Winesburg, Ohio (Jeff nominationBest Director, After Dark AwardBest Director), Salao: The Worst Kind of Unlucky with Redmoon Theatre (where she is a long time collaborator), and Melancholy Play by Sarah Ruhl and Abingdon Square by Maria Irene Fornes at Piven, where she is a long time member of the teaching staff. Jessica has also directed at Center Theater, Lifeline Theater, Collaboraction, The University of Notre Dame, Drury Lane and Caravan Productions, as well as touring internationally with the Bread and Puppet Theater. She holds a doctorate in Performance Studies from Northwestern University and has designed courses and taught at The University of Chicago, DePaul, Columbia and Roosevelt. She is currently a faculty member in the Directing Program at Northwestern.
Brian Sidney Bembridge (Set Design) makes his debut at Northlight with Inherit The Wind. Off Broadway: New York Premier of The Warrior, The Theatre at St Clement, and Jean Cocteau Repertory Theatre. National Tours: Chicago Shakespeare Theatre. Regional: Goodman, Steppenwolf, Chicago Shakespeare, Lookingglass (Production Affiliate), Writers' (Artistic Council), Court, Arden Theatre Company, Milwaukee Rep and Madison Rep. Chicago: The Chicago Theatre, The Second City, Ravinia Music Festival, Timeline (Artistic Associate), UMA Productions (Artistic Associate), and Teatro Vista (Artistic Associate), among others. Brian has received four Joseph Jefferson Awards/Citations, an LA Weekly Award and four After Dark Awards including Outstanding Season 2004. Brian was named one of the top nine emerging designers in North America by Entertainment/Design Magazine and has been featured in Chicago Tribune, Chicago Sun-Times, Live Design and Time Out Chicago. Film Production Design: Wallace Shawn’s Marie and Bruce, Stray Dogs, Late For Church and Chalk. Visit:www.briansidneybembridge.com for more information about his work. Diane D. Fairchild (Lighting Design) Design credits include: Chicago: Court Theatre, Redmoon, Noble Fool, Neo-Futurists (at Northlight), Infamous Commonwealth, Next Theatre; NYC: The Juilliard School, Dixon Place, The Kitchen, Joyce Soho, HERE, New Georges; Regional: INTIMAN Theatre, Trinity Repertory, Syracuse Stage. Ms. Fairchild holds an MFA in theater design from NYU’s Tisch School of the Arts, and she earned her BFA in design and technology for the theater from Wright State University in her hometown, Dayton, Ohio. Much thanks and love to F.L. and Baby Xan. Tatjana Radisic (Costume Design) is thrilled to be working with Northlight Theatre. Her recent costume design credits include Steppenwolf, Goodman, Writers’ Theatre, Redmoon Theater, Court Theatre, Blair Thomas and Co., 500 Clown, Hedwig Dances, Live Bait Theatre, American Theater Company, Apple Tree Theatre, Creede Repertory Theatre Company, etc. She is Artistic Associate at Redmoon Theater. Tatjana is a member of the Costume Society of America and the Association of Applied Arts in Serbia. She has exhibited extensively throughout Europe and the U.S. and received numerous professional awards. Tatjana was featured as one of the Chicago theater’s fifty leading characters in New City Magazine, 2004. Andre Pluess (Original Music/Sound Design) is thrilled to be back at Northlight where he recently designed The Retreat from Moscow and Red Herring (also with Jessica Thebus). Design and composition credits include projects for Lookingglass (artistic associate), Court (1999-02 resident artist), Victory Gardens (resident designer), About Face (associate artist), the Goodman, Steppenwolf and many other Chicago and regional theaters. Broadway credits: I Am My Own Wife and Metamorphoses. Awards: nine Joseph Jefferson Awards and Citations, an L.A. Ovation Award, a Drama Critics Circle Award and a Lortel nomination for composition and sound design. Recent projects: After the Quake, (Steppenwolf/Long Wharf), Silk (Goodman Theatre), Pericles (Washington D.C. Shakes/Goodman Theatre), Honour (Berkeley Rep), Lady Windermere's Fan (Williamstown), The Secret in the Wings (Berkeley Rep, Seattle Rep, McCarter Theatre), and The Clean House (Yale Rep/Goodman). Currently, Andre is writing the score for Argonautika directed by Mary Zimmerman for Lookingglass and preparing to design The Clean House for Lincoln Center. Kevin O’Donnell (Original Music/Sound Design) is pleased to be working at Northlight for the first time. As a composer and music director he has been nominated for 6 Jeff Citations (receiving 2), and 2 Chicago Music and Dance Alliance awards; he also recently recieved a 2005-2006 After Dark Award for his entire season of work. He has composed, music directed and/or sound designed for The House Theatre (company member), The Hypocrites, Redmoon Theater, ATC, Collaboraction, Trap Door, Vitalist, The Building Stage, Strawdog, and The Mirror Rep (NYC), amongst others. For Lookingglass he collaborated with Andre Pleuss on Hepheastus. Later this season he will return toNorthlight for the remount of The House's Great and Terrible Wizard of Oz. Danielle S. Boyke (Stage Manager) is happy to return to Northlight, where she stage managed The Chalk Garden, directed by William Brown. She has recently returned from Indiana, where she stage managed The Comedy of Errors for Summer Shakespeare at Notre Dame. Other stage management credits include Tartuffe (Remy Bumppo Theatre Company), Cymbeline and Romeo and Juliet (Montana Shakespeare in the Parks), Wheatley (Victory Gardens Theatre), Diary of Anne Frank (Theater at the Center), and Burying the Bones (Stage Left Theatre). She was an assistant stage manager at American Players Theatre and First Stage Children’s Theatre in Wisconsin. Danielle is a member of Actor’s Equity Association. She thanks God and her family for their support and love. Rosie Forrest (Production Dramaturg) holds the position of Artistic Associate at Northlight Theatre, and over three seasons has served as the production dramaturg for numerous Northlight productions. Favorite dramaturgical projects include: Grace (Craig Wright), Red Herring (Michael Hollinger), and Permanent Collection (Thomas Gibbons). Recently in Chicago, Rosie dramaturged 100 Saints You Should Know by Kate Fodor (Steppenwolf Theatre's First Look Repertory), A Number by Caryl Churchill (Next Theatre), and the world premieres of The Outfit by Laura Schellhardt (Serendipity Theatre Company), World Set Free by Bryn Magnus (Steppenwolf Theatre's Arts Exchange), and Hannah and Martin by Kate Fodor (Timeline). Rosie is an artistic associate with Serendipity Theatre Company, and teaches theatre courses for the National High School Institute, as well as playwriting and dramaturgy at Chicago Dramatists. |
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