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ARTISTS BIOGRAPHIES

CAST:

Joe Dempsey (Hornbeck) graced the Northlight stage earlier this fall in the Neo-Futurist production of The Last Two Minutes of the Complete Works of Henrik Ibsen.  Other recent appearances include Gypsy at Ravinia with Patti Lupone, Half and Half at Victory Gardens, and Jolly and The Disappearance of the Jews at Goodman as part of the David Mamet Festival. His previous Northlight work includes The Second City’s Disgruntled Employee Handbook and Sex and The Second City, and All in the Timing. Joe has also acted at Apple Tree, Lookingglass, Remy Bumppo, About Face, St. Louis Rep, Cincinnati Playhouse, Milwaukee Rep, and Madison Rep, and on the TV shows “E.R.,” “Early Edition,” and “What About Joan?”

Erica Elam (Rachel) is thrilled to be making her Northlight debut.  Recent credits include Emma (Reverie), Lady Madeline (Steppenwolf Arts Exchange), Aren’t We All (Remy Bumppo), The Romeo and Juliet Musical (Chicago Shakespeare/Second City), Winesburg, Ohio (Steppenwolf/About Face), Vincent in Brixton (Apple Tree) and Abingdon Square (Piven), as well as Brain Humor (Donny’s Skybox) and Warfield, USA (Second City Unhinged), both of which she co-wrote.  Erica is a graduate of the University of Georgia and the Second City Conservatory Program and an ensemble member of Baby Wants Candy, with whom she improvises full-length musicals.

Rae Gray (Melinda) is delighted to make her Northlight Theatre debut. Most recently she appeared in State Fair and Oliver at the Marriott Theatre in Lincolnshire. Previous credits include Ravinia Festival’s Sunday in the Park with George (with Patti Lupone and Audra McDonald); Steppenwolf’s Wedding Band; Goodman’s Christmas Carol (two years); Theater at the Center’s State Fair and Christmas Story; Apple Tree Theatre’s Number the Stars and TimeLine Theatre’s Cry of Players and Crucible (Jeff Citation Best Production/Ensemble.)  Rae is a freshman at The Latin School in Chicago.

Zach Gray (Howard) is delighted to make his Northlight debut. Most recently he appeared in Collaboraction’s Sketchbook, where he received the festival’s Best Actor award for his solo performance in Chill is Good. Other Chicago-area credits include: Chicago Shakespeare’s King John, Peter Pan and The Winter’s Tale; Steppenwolf’s Time of Your Life (Jeff nominated—Best Ensemble/Production) and David Copperfield; Goodman’s A Christmas Carol (5 years), Galileo Galilei directed by Mary Zimmerman; and Apple Tree Theatre’s Big the Musical.  Zach was nominated for a Best Supporting Actor Jeff citation for his work as Arty in Lost in Yonkers (Eclipse Theatre Company).  Film credits include Grace is Gone (with John Cusack and Marisa Tomei), Drunkboat (with John Malkovich), Time Served and Stray Dogs (best new actor Savannah International Film Festival).  Zach is a junior at The Latin School of Chicago. 

Frances Guinan (Ensemble) is member of the Steppenwolf Theatre Company ensemble. Steppenwolf appearances include Love Song, Cherry Orchard, The Grapes of Wrath, Balm in Gilead, and True West, as well as The Diary of Anne Frank and August: Osage County later this season.  Mr. Guinan and his family recently returned to Chicago from a 15-year stint in Los Angeles, where he appeared in God’s Man in Texas and The Weir (Geffen Playhouse); Stuff Happens and Space (Mark Taper Forum); and The Great Tennessee Monkey Trial, True West, Antigone, Oedipus the King, and numerous other productions (L.A. Theatre Works).  His many TV credits include “Grey's Anatomy”, “CSI: NY”, “3rd Rock From the Sun”, “Frasier”, John Frankenheimer’s “Path to War” and most notably as the Dad in “Eerie, Indiana.”  Film credits include roles in Constantine, Hannibal, Guinevere, Shining Through, and Speed II. This performance is in honor of the courage and generosity of his family.

Levi Holloway (Cates) recently graduated from The Theater School at DePaul University where he received a BFA in acting.  Since graduation he has appeared twice at Steppenwolf Theatre: as Sammie in The Sparrow Project directed by Hallie Gordon, and understudying the role of Sean in Love-Lies-Bleeding directed by Amy Morton.  He also just finished his first film, Carpet Kingdom.  This is his Northlight debut.

Scott Jaeck (Drummond) Previously at Northlight: Red Herring, How I Learned to Drive and Light Up the Sky.  Other recent Chicago appearances: Henry IV Parts I & II, Much Ado About Nothing, The Merchant of Venice, The Merry Wives of Windsor, Julius Caesar, Love’s Labour’s Lost, The Tempest, Richard II, and The Herbal Bed (Chicago Shakespeare Theater); Dinner with Friends (Goodman); and Our Town and Benefactors (Writers’ Theatre).  Regional theatres: Milwaukee Rep, Pasadena Playhouse, Indiana Rep, Alliance.  Broadway: Night of the Iguana at The Roundhouse Theatre.  International credits: Henry IV Parts I & II at the Royal Shakespeare Company, Stratford-upon-Avon, England.  TV and film appearances include: “Prison Break”, “Charmed”, “E.R.”, “Seinfeld”, “Star Trek: Voyager” and “Next Generation”, Washington Square, An Innocent Man and Gross Anatomy.  Scott is newly married to actor and Steppenwolf ensemble member Mariann Mayberry.

Matthew Krause (Ensemble) is very happy to be making his Northlight debut.  Previous credits include Romance (Goodman), Lady Madeline (Steppenwolf), Man of La Mancha, Travesties, Piano, Twelfth Night and Fair Ladies at a Game of Poem Cards (Court), Scapin (Court and INTIMAN in Seattle), Hauptmann and It’s All True (TimeLine), The Merry Wives of Windsor, A Midsummer Night’s Dream and The Taming of the Shrew (Chicago Shakespeare), Winesburg, Ohio (About Face), Grand Hotel and State Fair (Theatre at the Center) and Dylan (Seanachai).  He is happily married to Maureen Powers.

John Lister (Ensemble) is pleased to be back at Northlight Theatre, having previously appeared as Andrei Borchevsky in Red Herring and Lord Augustus in Lady Windermere’s Fan.  Other Chicago credits include: Bob Crachit and the Ghost of Jacob Marley in The Goodman Theatre’s A Christmas Carol; ten productions with Chicago Shakespeare including Cleomenes & Polixenes in The Winter’s Tale, Diomedes in Antony and Cleopatra, and Bishop Parry in The Herbal Bed; Cauchon in The Lark (Eclipse Theatre); and Thesaurus in Enter:The Poet (CollaborAction).  Regional credits include: Deathtrap, Shady Business, and The Foreigner (Peninsula Players) and Romeo and Juliet, Henry V and The Comedy of Errors (Notre Dame Summer Shakespeare).  TV and film credits include “Prison Break” (FOX) and the independent film I Touched Gloria, along with numerous industrial films, commercials and voiceovers.  John received his MFA in Acting from Michigan State University.

Tony Mockus (Brady) has a Northlight history dating back to its earliest days with That Championship Season at the Kingsley School stage in 1978, leading up to God’s Man in Texas in 2000.  Other credits include the title role in Da (The Guthrie), On Golden Pond (Drury Lane Oakbrook), and Painting Churches and Sleuth (Organic Theatre Company), as well as film credits The Untouchables, Bad Boys, and Backdraft.  Tony was deeply honored to be the recipient of The Chicago Drama League’s prestigious Crystal Award for 2006.  He is delighted to be paired again with Scott Jaeck, with whom he appeared in Long Day’s Journey…, and Mary Ann Thebus, with whom he enjoyed Painting Churches.  An idealist in an existential climate, Tony believes that the theatre is “a place of reaffirmation" are we to send people away exalted, compassionate, and proud of being human, or are we to add to their frustration and cynicism?”

Mary Ann Thebus (Ensemble) is happy to be returning to Northlight after appearing in Cat Feet two seasons ago.  She was most recently seen in Gift Theatre’s The Glass Menagerie at Theatre on the Lake and 100 Saints You Should Know directed by BJ Jones in Steppenwolf’s First Look Series.  She has been performing on Chicago stages for over twenty years, has been active in film and TV originating in Chicago, and is a teacher of acting both privately and at The Artistic Home.  She was awarded a 2002 After Dark Award for her role in Painting Churches and is the recipient of eight Jeff Award nominations.

Amy Warren (Ensemble) is very pleased to be a part of Inherit the Wind. She has appeared in Heartbreak House and Trojan Women at the Goodman, and Mother Courage and Her Children, Ten % of Molly Snyder, The House of Lily,  The Weir, Whispering City and The Glass Menagerie at Steppenwolf.  A favorite role is Vivian Blaine in the smash-hit Pulp at About Face Theatre, for which she also composed the Jeff Award-winning music with Andre Pluess and lyricist/playwright Patricia Kane.  She played Minta Arbuckle in The Second City's Fatty Arbuckle's Spectacular Musical Review, has sung the role of Mary Magdelene in the all rock version of Jesus Christ Superstar, released a cd with Tallulah and appears on several Aluminum Group releases.  Amy has worked with Curious Theatre Branch, Theatre Oobleck and Piven Theatre, among others.

Andrew White (Ensemble) last worked with Jessica Thebus on Winesburg, Ohio, in which he played The Writer in a co-production with About Face and Steppenwolf.  He is a founding member of the Lookingglass Theatre Company, where he most recently appeared in The Old Curiosity Shop, and where he wrote and directed an original adaptation of George Orwell’s 1984, which, to his amazed delight, received a Jeff Award for Best Adaptation.  He has also appeared in Miriam Buddwing and Another Time (Steppenwolf), All the Rage (Goodman), and Kids in the Dark (Victory Gardens).  This last year he taught Acting as an adjunct faculty member at Northwestern University, as well as in various Lookingglass Outreach programs with students of all ages.  His family at home includes one wife, two children, and one muscle-bound cat.  He is delighted to be making his first appearance at Northlight.

ARTISTIC/PRODUCTION:
Jessica Thebus (Director) is delighted to be back at Northlight.  Jessica is an Associate Artist with Steppenwolf and an Artistic Associate at About Face Theatre and The Corn Exchange in Dublin, Ireland. Recent projects include The Clean House at The Goodman (After Dark Award–Best Director), Lady Madeline at Steppenwolf, Aren't We All with Remy Bumppo, Intimate Apparel at Steppenwolf, About Face Theatre’s Pulp (Jeff nomination–Best Director, After Dark Award–Best Production) and Winesburg, Ohio (Jeff nomination–Best Director, After Dark Award–Best Director), Salao: The Worst Kind of Unlucky with Redmoon Theatre (where she is a long time collaborator), and Melancholy Play by Sarah Ruhl and Abingdon Square by Maria Irene Fornes at Piven, where she is a long time member of the teaching staff. Jessica has also directed at Center Theater, Lifeline Theater, Collaboraction, The University of Notre Dame, Drury Lane and Caravan Productions, as well as touring internationally with the Bread and Puppet Theater. She holds a doctorate in Performance Studies from Northwestern University and has designed courses and taught at The University of Chicago, DePaul, Columbia and Roosevelt. She is currently a faculty member in the Directing Program at Northwestern.

Brian Sidney Bembridge (Set Design) makes his debut at Northlight with Inherit The Wind. Off Broadway: New York Premier of The Warrior, The Theatre at St Clement, and Jean Cocteau Repertory Theatre. National Tours: Chicago Shakespeare Theatre. Regional: Goodman, Steppenwolf, Chicago Shakespeare, Lookingglass (Production Affiliate), Writers' (Artistic Council), Court, Arden Theatre Company, Milwaukee Rep and Madison Rep. Chicago: The Chicago Theatre, The Second City, Ravinia Music Festival, Timeline (Artistic Associate), UMA Productions (Artistic Associate), and Teatro Vista (Artistic Associate), among others.  Brian has received four Joseph Jefferson Awards/Citations, an LA Weekly Award and four After Dark Awards including Outstanding Season 2004.  Brian was named one of the top nine emerging designers in North America by Entertainment/Design Magazine and has been featured in Chicago Tribune, Chicago Sun-Times, Live Design and Time Out Chicago.  Film Production Design: Wallace Shawn’s Marie and Bruce, Stray Dogs, Late For Church and Chalk.  Visit:www.briansidneybembridge.com for more information about his work.

Diane D. Fairchild (Lighting Design) Design credits include: Chicago: Court Theatre, Redmoon, Noble Fool, Neo-Futurists (at Northlight), Infamous Commonwealth, Next Theatre;  NYC: The Juilliard School, Dixon Place, The Kitchen, Joyce Soho, HERE, New Georges;  Regional: INTIMAN Theatre, Trinity Repertory, Syracuse Stage.  Ms. Fairchild holds an MFA in theater design from NYU’s Tisch School of the Arts, and she earned her BFA in design and technology for the theater from Wright State University in her hometown, Dayton, Ohio.  Much thanks and love to F.L. and Baby Xan. 

Tatjana Radisic (Costume Design) is thrilled to be working with Northlight Theatre.  Her recent costume design credits include Steppenwolf, Goodman, Writers’ Theatre, Redmoon Theater, Court Theatre, Blair Thomas and Co., 500 Clown, Hedwig Dances, Live Bait Theatre, American Theater Company, Apple Tree Theatre, Creede Repertory Theatre Company, etc. She is Artistic Associate at Redmoon Theater. Tatjana is a member of the Costume Society of America and the Association of Applied Arts in Serbia. She has exhibited extensively throughout Europe and the U.S. and received numerous professional awards. Tatjana was featured as one of the Chicago theater’s fifty leading characters in New City Magazine, 2004.

Andre Pluess (Original Music/Sound Design) is thrilled to be back at Northlight where he recently designed The Retreat from Moscow and Red Herring (also with Jessica Thebus).  Design and composition credits include projects for Lookingglass (artistic associate), Court (1999-02 resident artist), Victory Gardens (resident designer), About Face (associate artist), the Goodman, Steppenwolf and many other Chicago and regional theaters.   Broadway credits: I Am My Own Wife and Metamorphoses. Awards: nine Joseph Jefferson Awards and Citations, an L.A. Ovation Award, a Drama Critics Circle Award and a Lortel nomination for composition and sound design.   Recent projects: After the Quake, (Steppenwolf/Long Wharf), Silk  (Goodman Theatre), Pericles (Washington D.C. Shakes/Goodman Theatre), Honour (Berkeley Rep), Lady Windermere's Fan (Williamstown), The Secret in the Wings (Berkeley Rep, Seattle Rep, McCarter Theatre), and The Clean House (Yale Rep/Goodman). Currently, Andre is writing the score for Argonautika directed by Mary Zimmerman for Lookingglass and preparing to design The Clean House for Lincoln Center.  

Kevin O’Donnell (Original Music/Sound Design) is pleased to be working at Northlight for the first time.  As a composer and music director he has been nominated for 6 Jeff Citations  (receiving 2), and 2 Chicago Music and Dance Alliance awards; he also recently recieved a 2005-2006 After Dark Award for his entire season of work.  He has composed, music directed and/or sound designed for The House Theatre (company member), The Hypocrites, Redmoon Theater, ATC,  Collaboraction, Trap Door, Vitalist, The Building Stage, Strawdog, and The Mirror Rep (NYC), amongst others.  For Lookingglass he collaborated with Andre Pleuss on Hepheastus.  Later this season he will return toNorthlight for the remount of The House's Great and Terrible Wizard of Oz

Danielle S. Boyke (Stage Manager) is happy to return to Northlight, where she stage managed The Chalk Garden, directed by William Brown. She has recently returned from Indiana, where she stage managed The Comedy of Errors for Summer Shakespeare at Notre Dame.  Other stage management credits include Tartuffe (Remy Bumppo Theatre Company), Cymbeline and Romeo and Juliet (Montana Shakespeare in the Parks), Wheatley (Victory Gardens Theatre), Diary of Anne Frank (Theater at the Center), and Burying the Bones (Stage Left Theatre).  She was an assistant stage manager at American Players Theatre and First Stage Children’s Theatre in Wisconsin.  Danielle is a member of Actor’s Equity Association.  She thanks God and her family for their support and love. 

Rosie Forrest (Production Dramaturg) holds the position of Artistic Associate at Northlight Theatre, and over three seasons has served as the production dramaturg for numerous Northlight productions. Favorite dramaturgical projects include: Grace (Craig Wright), Red Herring (Michael Hollinger), and Permanent Collection (Thomas Gibbons). Recently in Chicago, Rosie dramaturged 100 Saints You Should Know by Kate Fodor (Steppenwolf Theatre's First Look Repertory), A Number by Caryl Churchill (Next Theatre), and the world premieres of The Outfit by Laura Schellhardt (Serendipity Theatre Company), World Set Free by Bryn Magnus (Steppenwolf Theatre's Arts Exchange), and Hannah and Martin by Kate Fodor (Timeline). Rosie is an artistic associate with Serendipity Theatre Company, and teaches theatre courses for the National High School Institute, as well as playwriting and dramaturgy at Chicago Dramatists.

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